A woman meets a man in a bar late in the evening and goes to his apartment. A woman picks up a girl from school and runs with the child through the park. If we see such scenes in a movie, or are we watching such situations in life, we quickly believe we know who these women are: a woman looking for a fleeting adventure in the first scene, a caring mother in the second.

Eberwein, Renate and Otto run a bar high above the Rhine, overlooking the romantic Lorelei. But no-one wants to climb high above the Rhine in these post-war days, and things look bleak for the future. However out of the blue Renate receives a letter to say that she has inherited an inn in Florence, and it seems their troiubles are over. They set off in their old car, and have to get towed most of the way, by a steam roller, a tractor, the carabinieri, and finally by a friendly priest. When they get to their inheritance, they find it is in worse shape than the bar they left behind. Renate goes round the banks to try to get a loan to do the place up, but without success. It looks like a case of out of the frying pan ... but there are two glimmers of light on the horizon; the first is that there is a large secret cavern behind the inn's cellar, containing unimagined possibilities; and the second is that the friendly priest has some money to lend them.

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One of Germany's stars of cinematography, embarks on the journey through his life. The film begins in the US and Hollywood - where Ballhaus established his international fame.

一个国际考古学家团队有了一些惊人的发现。在洪都拉斯东部的加勒比海岸，他们发掘出了一个被遗忘已久、高度发达的文明。据说在洪都拉斯东部的加勒比海岸，曾经存在过一个高度发达的文明。很久以前生活在这里的人们是传奇的阿兹特克人和玛雅人的邻居……

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